Gianluca Capozzi

Gianlucca Capozzi transcends representation, but uses all available elements to allude to an expanded reality. In his works, the artist wants to express the concept of interdependence and impermanence, with figures, like ghosts, that inhabit a single instant and on the connection with our deepest part, the expanded states of consciousness that generate visions, evolution and awareness, in a characteristic perceptive, almost theatrical mise-en-scène that wants to get as to make visible what is not visible.

Born in Avellino (Italy) in 1973. Gianlucca Capozzi lives and works in Aiello Del Sabato. He studied painting at the academy of fine arts in Florence. His works have been exhibited in several international art exhibitions, museums and foundations as Museum Dorotheergasse, Wien (2025), Kunstquartier Bethanien, Berlin (2023), Palazzo Reale, Milano, Fondazione Pistoletto Cittadellarte, Biella, Fondazione Palazzo Ducale, Genova (2022). Among the finalists of Cairo Prize, at the Permanente in Milan, the Termoli, Lissone and Michetti Prize.

Giuseppe Gallace

Giuseppe Gallace, born in Soverato, Calabria in 1993, is a graduate of the Albertina Academy of Fine Arts in Turin.

Gallace uses both domestic interiors and outdoor settings as bases for his sparse, disquieting canvases, in which human figures and animals are often present but never explicitly represented. The predominating sensation is one of loneliness which nonetheless leaves space for a pulsating vitality. Despite the melancholic tones, Gallace manages to engage viewers in a playful, mental exercise, in which they are invited to complete the narrative and fill in the gaps in shape, colour and volume deliberately left ‘unfinished’ by the artist.

Carlo Galfione 

Carlo Galfione (b. 1969, Pinerolo, TO) is a painter and art designer based in Turin, where he also teaches at the Academy of Fine Arts. His work has been showcased in prominent solo and group exhibitions, including Metal Soudz (Moduloventisei, Leinì, 2025), Memories Can’t Wait (Cascina La Marchesa, Turin, 2024), The Elephant in the Room (Il Fondaco Gallery, Bra, 2024), La Vie des Autres (Galerie Nardone, Brussels, 2022), The Lives of Others (Riccardo Costantini Contemporary, Turin, 2021), Cadavre Exquis (Chiesetta della Misericordia, Venice, 2021), and Art Site Fest (Royal Residences of Piedmont, 2019). Galfione’s practice is rooted in the use of fabrics and wallpapers, where stylizations and standardized patterns become tools for exploring individuality in its intimate and social dimensions. Recent research has led him to transcend the two-dimensional plane, creating installations that invite deeper engagement from the viewer. Works such as The Reading Room and The Curious Case of the Stag Beetle and Other Stories demonstrate this evolution, merging painting, space, and architectural dialogue into immersive experiences.

“Especially when intervening on existing architectures [...] Galfione works on the decorative cycles of the building, creating voids, inserting himself into existing gaps, producing fractures and disconnections. In doing so, he highlights absences, exposes numerous omissions, the temporal or semantic leap, and the uncertainty of reconnection, the definitive impossibility of a continuum.

In short: the discreet and fragmentary destiny of our present. Thus, from Carlo Galfione’s painting emerges a visual dystopia that questions the viewer. It asks: do you truly know the images you think you recognize? What are you looking at? What exactly are you doing when you look?” — Domenico Maria Papa.

David Row

David Row is a prominent contemporary abstract artist known for creating large-scale compositions using materials such as oil, alkyd, and wax on canvas or panel. His work is characterized by complex geometries and a balance of rigorous structure with expressive materiality, often utilizing multi-canvas or shaped configurations to challenge the traditional boundaries of the frame. In his work David Row conjures a colourful geometry made up of a reality of solid certainties –represented with polygons and ellipses – broken and fragmented by unpredictable and seemingly casual events - thin lines in vivid and fluorescent colours - which question a whole that we are only partially allowed to see in its entirety.

Row leaves parts of his recurrent shapes – the big ellipses and Xes – outside of the irregular physical boundaries of the work, leaving to the viewer’s eye the chance to complete the missing parts, extending them outside of the perimeter to occupy the surrounding space, activating it and making it an integral part of the work.

David Row currently lives and works in New York City. Upon moving to New York, he emerged as a leading member of a significant generation of abstract artists, alongside peers such as Peter Halley, Ross Bleckner, and Mary Heilmann. Known for his complex geometries and masterful use of color, artist David Row continues to be a defining voice in the world of contemporary abstract art. The artists has spent decades refining a visual language that balances rigorous structure with expressive materiality. Row‘s distinguished career is marked by numerous accolades, including a National Endowment for the Arts Grant in Painting (1987) and the Isaac N. Maynard Prize for Painting from the National Academy Museum in New York (2008).