Pepa Prieto’s “The Idea of the South”” becomes a sunlit map to distant horizons, where swathes of color hint at lands waiting to be discovered. Stefan Rinck’s sculptures—as “Knight of the Melancholic Flower” and “Postwar Influencer”—are guardians of these imagined realms, whimsical yet powerful figures standing at the crossroads of history and legend. Each piece whispers of stories: ancient adventures, forgotten myths, and travelers searching for meaning amid playful forms.
Sam Douglas' “Walking to Soller,” conjures visions of secret pathways and enchanted forests, where the color green becomes a portal into another dimension. Meanwhile, Yelena Popova’s “Post Petrochemical Painting” anchors the journey in a fragile world shaped by time, earth, and human touch. Xenia Lesniewski’s “Untitled (Orange 3)” reveals terrains carved from unexpected materials, as if fragments of a dream were solidified and set upon canvas.
