Bianca Phos’s artistic practice unfolds between installation, sculpture, drawing and printmaking. In her work, embodiment appears as a porous, unstable condition shaped by technological, ecological, and epistemic systems — by tools, structures, expectations, and other bodies. Often beginning with material encounters — with surfaces that receive, resist, or transform a gesture — her practice attends to moments where knowledge systems are inscribed in matter, and where matter, in turn, can unsettle or revalue them. Her works take shape between mark and measure, support and obstruction, where perception, materiality, and systems of meaning begin to shift, overlap, and renegotiate the conditions of separation and relation. 

Based in Vienna, Phos studied ‘Textual Sculpture’ and ‘Art and Time / Video’ at the Academy of Fine Arts Vienna, complemented by studies at HFBK University of Fine Arts Hamburg and Bezalel University of Art and Design Jerusalem. Her work has been presented in major Austrian institutions, including Bank Austria Kunstforum Wien, Kunsthaus Wien, Belvedere 21, Universalmuseum Joanneum, Graz, and MUMOK, Vienna, alongside exhibitions at Zeller van Almsick, Vienna; Kunstforum Montafon, Schruns; Bildraum 07, Vienna; Galerie Fünfzigzwanzig, Salzburg; Galerie XY, Olomouc; and Techne Sphere, Leipzig, among others.