In my paintings, I draw on traditional genre concepts of Western art and transform them into new interpretations. A general theme is the human condition and group dynamics, viewed both through the lens of past eras and in light of the current world situation. A central question is how ‘heroes’ are generated and why so many people follow them. This led to my “Heroes” series, inspired by old black-and-white photographs from the Imperial era. I abstracted these images of generals and soldiers, transforming them into cubist-like heroes that question the cult of masculinity and the creation of heroic images.

These themes also form the background of my current “Crowds” series, where crowds are partially recognizable but overlaid with abstract layers that often resemble decorative elements and patterns. These layers merge in the painting process and have both destructive and creative effects, with continuous references to classical and modern painting.

My work moves between abstraction and figuration. Both elements are closely interwoven and appear equal. My painting process usually begins with drawings and collages that serve as a framework or idea, brought to life through painting. The themes develop like a red thread from one painting to the next.

Technically, I employ various methods: spraying, wet-on-wet painting, masking, scraping, spatula work, dissolving with turpentine, and stamping. I have developed and refined a variety of tools and techniques over the years and incorporated them into my repertoire. I continually experiment with different supports and materials.